Showing posts with label Jack. Show all posts
Showing posts with label Jack. Show all posts

Thursday, May 28, 2009

Ep: 1.23 Exodus

WHAT WE LEARNED:
  1. Black Rock is in the same area where the Smoke Monster lives.
  2. It drags Locke, and Jack and Kate save him before the Monster can pull him down into his hole by throwing dynamite down after it. Locke still does not think the Smoke Monster will hurt him.
  3. Locke argues with Jack about saving him. Locke also says he is a man of destiny. Jack says he himself is not.
Questions:
  1. Why would the Smoke Monster try to take Locke? Protect him? Angry at him? For what?
  2. In 16 years, the Smoke Monster has never taken Danielle. Why not? It has taken her family and friends.

Ep: 1.20 Harm

WHAT WE LEARNED:
  1. Jack personality: Great on commitment but can't let go.
  2. Locke's goodwill is running out because of his secrecy.

Wednesday, May 27, 2009

Ep: 1.11 All the Best Cowboys Have Daddy Issues

WHAT WE LEARNED:
  1. This episode begs our credibility, and fares worse with repeated viewings. The reaction by the camp (e.g., hardly anyone searches for Claire and Charlie) is manufactured and silly. Remember the Losties have just found out they have been infiltrated by someone who could hardly be working on their own, and kidnaps 2 people. It is totally illogical that anyone would refuse Michael's help, or that he would be the only additional volunteer, or that he would listen to Locke.
  2. Locke is so enamored with his spiritual island quest that he would rather have no one helping him find Claire.
  3. Locke isn't really interested in finding Claire; he loses the trail but keeps walking, and gives up the search immediately after finding a hatch.
  4. Locke shows he is not to be trusted. I am more worried than ever that he is more than ready to sell his soul to the devil.
  5. Jack never gives up, and takes failure personally. The episode showed clearly that few people understand the dedication needed to reach one's objectives, (in this case finding Claire and Charlie) which is why so few people do. I'm not sure they intended this lesson.
  6. Jack is unimpressed with Kate's secrecy.
Questions:
  1. Did Jack just out act everyone on the show, or why was he the only one with a realistic, and appropriate response to a horrific kidnapping by an infiltrator?

Tuesday, May 26, 2009

Ep: 1.05 White Rabbit

WHAT WE LEARNED:
  1. Jack never gives up helping a friend. He is turning into the leader of the group, without whom everyone is going to die or kill each other. His father Christian is negative, berating, and abusive, and recently deceased. Christian seems to lead Jack to water.
  2. Locke is keeping secrets.
Questions:
  1. Jack is having hallucinations?

EP: 104 Walkabout

WHAT WE LEARNED:
  1. Locke is a hunter and was a paraplegic before the crash.
  2. Jack is considerate but not religious.
  3. Shannon uses people.
  4. Charlie is a pigeon.
Questions:
  1. Why didn't the murdering Smoke Monster kill Locke? He seemed to actually get along with it. There is something hugely wrong with Locke...
  2. How did Locke's legs get cured like that? Why doesn't Locke tell anyone?

Ep: 1.03 Tabula Rasa

WHAT WE LEARNED:
  1. Kate is a criminal, but she saves her employer even though it costs her freedom.
  2. Michael is find of a fool of a father.
  3. Sawyer bungles an attempt to kill an injured man, that Jack operated on and tried to save, so Jack had to kill him.
Questions:

Ep: 1.01 Pilot 1

WHAT WE LEARNED:
  1. Jack is a doctor and saving everyone.
  2. Kate is helpful but lacking in skills.
  3. Hurley is nice and incompetent.
  4. Sayid seems calm and competent.
  5. Charlie, musician, funny, kind, helper, but probably can't be counted on.
Questions:
  1. There is a strange, huge thing on the island that kills people. What is it?
  2. There's been a plane crash. Way too many people survived. Likely no one would have survived. This is either hokey, or they are really all dead. Which is it?

Saturday, May 23, 2009

Christian Shephard

What exactly is Christian Shephard's role on the island? As the seasons of LOST pile up, it's becoming an ever more important question.

We all know Christian Shephard is the father of Jack and Claire. Christian's role in Jack's younger life was authoritarian and negative, at one time telling Jack never to play the hero because he "didn't have what it takes." Consequently, a great deal of Jack's life can be summarized by his drive to prove his father wrong.

By the end of S5, the question of Christian Shepherd's role has become central. We know by now he is fronting for someone; dead being dead. With the introduction of Jacob and his Nemesis, the question has become more pointed; which one is it? The answer remains open.

First, besides attempting to be a more positive force for his son later in life, we have this touching scene just before Christian dies. Jack told Sawyer his feeling about his father, claiming that "he didn't want to take responsibility for his actions, so he blamed it on fate." When Jack asked why Sawyer was interested, he simply claimed it was out of curiosity. ("Outlaws"). However, Sawyer later revealed to Jack that he had indeed seen his father a week before the crash. Sawyer repeated Christian's words about Jack being the better man and about how Christian's self-confessed inability to call Jack up and tell him that he loved him. Sawyer remarked, "something tells me he never got around to making that call. Small world, huh?" Such a revelation would have a profound effect on Jack, and give redemption to both of them.

Christian's appearances to most Losties seems good hearted and beneficial. Besides helping to wake up his son Jack via Vincent after the crash, he leads him to find fresh water. Later, as Jack rails against his capture on the Hydra island, his anger consuming both him and his rationality, Jack's father tells him to "let it go," using a communication panel that has not worked in years. This council mirrors an earlier time when Christian tells Jack to "let it go" when Jack's anger consumes him while he tries to identify his wife Sarah's lover. Jack does not let it go, eventually accusing Jack's father of being the cuckold, and throwing him off the wagon.

Christian later is responsible for Claire's disappearance, although she seems to voluntarily leave with him. For the first time on the island, Christian is not wearing his funeral garb. More importantly though, she has abandoned her son Aaron to the other Losties. Leaving her son takes on even more significance since she has been warned repeatedly by a clairvoyant not to allow anyone else to raise her son. Does that make Christian a bad influence?

Christian tells Locke to move the island. Ben initially performs the deed, although he leaves the wheel unseated, causing the Losties to time travel repeatedly, and at least one death. In an attempt to stop the Island's jumps through time, Locke descends down to the Orchid station where Christian claims that when he told Locke they must move the Island, he was referring to Locke specifically, and claimed that nothing good happens when listening to Ben's suggestions. Christian encourages Locke to turn the frozen wheel, and confirmed Richard's statement that Locke would die in his attempt to convince the Oceanic Six to return to the Island, calling it a "sacrifice."

Christian also leads Sun to the 1977 DI picture which includes other LOST members, including her husband Jin.

Viewers have little evidence to decide whether Christian's influence serves Jacob or his Nemesis. On the surface, viewers are nonplussed that it was a possessed dead Locke that is successful in convincing Ben to kill Jacob, leading us to believe it was also a Nemesis controlled Shephard that reaffirms Locke's need to die. Doesn't 1+1=2?

Unfortunately, as we know in real life, and have been taught repeatedly and sometimes painfully in LOST, all is not necessarily what it seems. The causality seems to form almost too neat a picture, given the other more basic and beneficial actions Shephard has previously taken.

For now, viewers are urged to keep a wary eye on Christian Shephard. But it remains an instinctual truth that by all outward appearances, Christian is aiding and protecting both his siblings on the island. With all the negative father issues on LOST, it hardly seems logical to nay say the only one that seems now to be positive. We're also reminded that to find his own redemption and silence his own demons Jack most assuredly must learn to trust and appreciate the positive messages his father tried to give him.

There is certainly more to come.

Friday, May 22, 2009

Eloise Hawking

Eloise Hawking's story arc in LOST inspires more questions than answers, questions that when answered will provide integral insight to our understanding of the LOST paradigm.

You can find a detailed recap of Eloise Hawking in Lostpedia, the incredible LOST catalog built by loving hands and minds of fans everywhere.

QUESTIONS
  1. Her interaction with Desmond inspires our most fundamental question regarding Eloise. During her interaction with him, she foreshadows a stranger's death, also noting the stranger was wearing red. Viewers are left with little choice but to conclude that red eventually means death. The alternative is that Eloise has at least some omniscient powers regarding the future. Since she is human, the second alternative seems far fetched. But which is it? Her awareness of Desmond and his future role in the island is at least possibly explained by her son's journal, although that seems strained as well.
  2. In a meeting with Ben, Jack, and Sun, Eloise warned Ben that he had no choice but to collect the O6, and that "God help us all" should he fail. ("The Lie") Although there is no evidence Eloise has been on the island since 1977, she seems to be intimately aware of what is going on there. While her son Daniel Faraday's journal would give her some detail, it would not give her all the information she so obviously has. How does she acquire this information? To be fair, later she meets Penny after Desmond is shot by Ben. When Penny asked if Desmond would be all right, Eloise said she did not know and that for the first time in a long time she didn't know what was going to happen next.
  3. Eloise leaves the island shortly after her preparatory actions in 1977's events, and never returns despite knowing how to do so. Does she leave the island by turning the Donkey Wheel? Is there another island exit? Why does she not return?

Tuesday, May 19, 2009

The Story of Season 6. A Theory

Elsewhere, we talked about the island and the likelihood of it metaphorically being the Underworld as a good place for the story of LOST. But if that's true, how does the story end?

Well, the Underworld is where souls go to be judged before they enter Heaven or Hell. What is the Balance, you might ask? With the S5 Finale it's becoming more clear. Did you live your life with passion and purpose? Did you exercise your power of choice, and with free will were you able to rise above the destiny that fate lay in your way?

For each LOST survivor (it's becoming clear Jacob picked / touched all of them), that destiny appears to have begun with a father figure. And no one on the island has so far been able to over come it. In fact, all Losties' deaths have to-date been failures in that regard.

Will anyone rise above their fate and choose to live freely, without fighting their past? So far Locke has appeared the worst failure; dying as he lived as the perfect patsy. But there's still hope. Not in resurrection. After all, in the Underworld, dead is dead. And Locke sure ain't going back to the mainland. No, hope lies for Locke in the future. Because there are after all, two Lockes. We know the first story. It ended in failure. We don't know the second. And while Locke may be fooled one time, don't ever tell Locke what he can't do.

We can't help but believe that the man of science and the man of faith still have a chance at redemption if their story threads can somehow come together. And that is how I believe the season will end; a convergence of both approaches by Locke and Jack, proving that in appreciating portions of the other regarding fathers, souls and science, they are able to overcome their pasts, unify the island, restore harmony midst chaos, and find redemption.

It only needs to end well once. And Jacob will be free to give up his physical body, and join his specter 'brother' (it is Nemesis that is the specter, not Jacob) to converge with the rest of the gods. Because we know it's an evolution for the gods as well. But free will is the key. After all, it's humanity's most divine gift.

Friday, May 15, 2009

Jacob's Gifts

As stated elsewhere, Jacob gives all LOSTIES he visits both a touch (vitality? destiny towards the island?) and a gift. We have yet to see if he visited more Losties. In the finale, we only saw the Losties who were in 1977, leading us to speculate that he was providing himself a chance at rebirth, and the island struggle to continue. Following is what Jacob gave, and conjecture about what it means.

GIFTS | SIGNIFICANCE
  • Hurley: Guitar case and ??? | Meaning unknown
  • Jack: Candy bar | Strength?
  • Sawyer: Pen | To write the story of O815 | To write rather than con
  • Kate: Lunch box | Holder of sustenance
  • Sayid: Map and / Either saved Sayid's life, or killed his wife | Maps give him direction | or gave him purpose
  • Locke: Life | He revived Locke so he could come to the island?
  • Jen and Sun: Blessing | Drive to stay together
MORE SPECULATION
Jacob probably touched others as well. We don't know yet. But he was clearly setting something up.

Did Jacob cause Nadia's death, or did he save Sayid's life? See Sayid's story here.

Is Juliet dead?

There is no evidence that Juliet is dead. After all, no one died when the Swan station left a 30 foot crater in the ground. On the contrary, we found Des running around naked. Perhaps Juliet will show up next season naked as well. Added to that, the writers told us one of our loved characters will die. Ummm. It could be argued that's Locke.

There is no evidence that the bomb actually went off. Perhaps the electro magnetic field just finally burst, as in the Swan Incident. On the contrary, the bomb was rigged to blow up on impact, but it didn't. That would mirror why Walt's gun wouldn't work, and if it's true, means even Juliet's pounding didn't set it off.

There is no evidence the Locke, Des, Ecko Swan incident pushed anyone into the future. Although they did take a day to be found, and who knows what happened then; they could easily have flashed somewhere and eventually returned. After all Des was naked:) So we have too few facts to predict where the present Swan situation will take the Losties.

Until Season 6x1 comes along, I'm not sure what we saw in the Finale.

Finally, I was non plussed by the Darlton's use in the Finale of romance to drive actions of huge significance. While we are all aware that love plays a significant role in everyone's life, I find it unreasonable and out of character that either Juliet or Jack would make incredible decisions affecting everyone on the island because of it.

The Power of Life Stories

One of the most foundational themes in LOST is the hugely powerful roles that stories play in our lives. That is not surprising, since it's true in real life, perhaps more than most people suspect. An entire branch of psychology has arisen and developed surrounding this phenomenon, including therapy and treatment approaches. There's another interesting characteristic of the survivors' stories on LOST. They all involve father figures.

Stories, good and bad, have characteristics. They tend to be generational, passed on from father and mother, to son and daughter. At the least our families heavily influence our stories; victims of abuse become abusers, doctors raise doctors, and alcoholics tend to raise alcoholics. It's also interesting that if the son or daughter chooses to break from a dominant family story, they tend to do so in a very strong and powerful, reactive fashion.

JACK'S STORY
In LOST for example, Jack becomes a doctor like his father, yet disdains his father's abuse of alcohol. One of Jack's most powerful stories is avoiding being like his father in that way. It is surprising then, that he abuses both alcohol and drugs later in S5. This is a questionable digression by the writers. But Jack's most powerful story is proving his father wrong about being weak, and not up to the hard choices in life. He's been told he doesn't have what it takes all his life. Jack works hard to measure up, and to be better than his father at everything he does. While that drive makes him a performer, it also leads to stridency, control, and dogmatism at times. To reach his potential, he must stop fighting his father's words, and develop enough self-confidence to listen. This affliction is a common story of leaders.

Some life stories are more popular than others. It has been researched and demonstrated that fairy tales are ageless because they are collections of the most popular life story lines. The story of Little Red Riding Hood, wherein the girl is attracted to the scary bad boy but then is saved by the hero, is argued to be one of the most common woman story in existence.

SAWYER'S STORY
Sawyer represents two stories. The first is more personal. As a boy, Sawyer watched his father gun down his mother and then shoot himself, after a con man cuckolded him and swindled his wife. Sawyer holds great rage for the con man, but then grows up to be the person he hates, playing the con man himself. Consequently he cares only for himself, feeds off others, and lies and steals until he is forced to run.

There is another very popular branch of the Little Red Hiding Hood story; girl falls in love with bad boy, who redeems himself (preferably with the girl's help) and they live happily ever after. This is clearly the story of Sawyer. The question on LOST has been which girl it will be. It had already played out with Juliet. At the end of S5, we don't know if she is dead.

STORY COLLECTIONS
Earlier we saw that fairy tales are collections of popular stories. Mythology is arguably an even stronger source, since the best stories include general life identities, such as good vs. evil. The story of Sobek is often the story of Cain and Abel, or even the origins of God vs. Satan. When we understand the power of stories, it is not surprising that we find popular stories mirrored across religions and philosophies. Almost everyone is aware of the story of Oedipus, who loved his mother. The term Oedipus Complex, in Freudian (another branch of psychology) derives from this popular boy story of penis envy on the way to man hood.

I believe the most astounding collection of life stories ever written is the Bible. Many non-believers denigrate the Bible by accusing it of being impossibly literal, unbelievable, or inconsistent. Wherever you are on the religious scale, the Bible teaches us the outcomes of a vast array of stories, and gives us examples of successful stories if we exercise our free will to live by them. And certainly Jesus, whether you believe in him or not, or his ability to perform miracles or rise from the dead, is one of the greatest life stories ever told.

Jacob and Dark | The Struggle

Find the Season 5.16 The Incident pt. 1 here.
Fine the Season 5.17 The Incident pt. 2 here.

In a nutshell, here's what I think I saw in the S5 Finale.

THE TWO ADVERSARIES
Two immortal adversaries, call them Enemy and Jacob. And as a ship which looks like the Black Rock floats offshore, but definitely puts us in the 1800s, perhaps the most important conversation yet in the series then enjoins:

JACOB: I take it you're here 'cause of the ship.
ENEMY: I am. How did they find the Island?
JACOB: You'll have to ask 'em when they get here.
ENEMY: I don't have to ask. You brought them here. Still trying to prove me wrong, aren't you?
JACOB: You are wrong.
ENEMY: Am I? They come. They fight. They destroy. They corrupt. It always ends the same.
JACOB: It only ends once. Anything that happens before that is just progress.
ENEMY: Do you have any idea how badly I wanna kill you?
JACOB: Yes.
ENEMY: One of these days, sooner or later... I'm going to find a loophole, my friend.
JACOB: Well, when you do, I'll be right here.

Here is the first real glimpse at the secrets of LOST. Obviously this game between the two adversaries has been going on for a long, long time, even in the 1800s as dated by the ship. Enemy has grown weary of it because the ending is always the same; violence and corruption. The implication is that mankind is not worth saving. But the adversarial game is clearly a competition; Jacob is out to prove Enemy wrong; that mankind is better than that. All he has to do is prove it one time. For generations now, humans have failed.

The alternative endgame is that there is no relief from man's cycle of depravity. Either Jacob can admit it, and defeat, or Enemy can find a loophole, and kill him. It appears the loophole to kill Jacob is having someone else do it. Who better than the murderous, conniving, sociopath Ben. It's worth noting that it is not necessarily true that Enemy has always been intent on killing Jacob. It rather looks more likely that he is just horribly tired of the story that never ends, and is by now driven to kill Jacob to finally finish it.

RULES OF THE GAME
There are rules to the game they are playing. From the conversation, and later scenes, I believe they are as follows:
  1. Neither can directly kill each other.
  2. Neither can be direct actors on the island stage.
  3. Enemy influences the humans on the stage to bring about the violent end even he has no taste for anymore. Because he can not act directly, he uses dead bodies and perhaps smoke as substitute. It now becomes something more than interesting that the Others burn their dead bodies and send them out to sea. Enemy's side of the game does not prevent him from swaying humans. It was Enemy who was trapped in the cabin by ashes, but found a way to get out by coercing someone to break the ash barrier. Perhaps it was Jacob who trapped him there to limit his interference. It appears he has been using Christian and Alex as proxies, but for some time now has impersonated a dead Locke. Dead is dead, after all.
  4. Jacob does not act at all. His only role is to arrange people to come from the mainland. He chooses them. Beyond that, he makes no further interference. More on this later.
At least some of these rules are also used by humans on the island. Remember Ben telling Widmore that he had broke one of the rules; he had killed his daughter. Clearly we need to learn more about the Book of Laws.

WHAT IS THE DOMINANT THEME OF LOST?
The two adversaries embody two sides of the same coin in their struggle. What is it? While I suspect the LOST series is really a multi-layered combination of dichotomies, and good vs. evil is too simplistic, here are some possibilities:
  • Fate vs. Free will
  • Good vs. evil
  • Baseness vs. Virtue
  • Animal vs. Spiritual
  • Damned vs. Redemption
  • Nature vs. Nurture
All are essential and recurrent themes in religion and philosophy.

GOD vs. SATAN or GOOD vs. EVIL
Satan was God's right hand. The first conversation appears to be a bet about whether mankind is capable of governing on the island with virtue. Enemy doesn't think so. Jacob says they only have to do it once.

If indeed Jacob represents God, and the statue is Anubis, Guard of the Afterlife, then the island is Purgatory, and the humans there fighting for entry into either heaven or hell. It would also explain why no women can have children there.

It's interesting to note that the struggle to find virtue is also personified in the LOST crew as every main character struggles for redemption of their life stories. All are trying to overcome their pasts in their own way. All are growing and maturing towards it; especially the most spiritual Locke, who in his quest ironically opens himself to Enemy's manipulation and coercion, and dooms his life story to tragic, fatalistic repetition.

But the story is essentially about the O815, so we have reason to believe that at least one of them will be successful and suppress the killing and corruption. The explosion just gave them all a do over, arguably with their memories intact. Who will it be?

RA vs. APEP or GOOD vs. EVIL
An Egyptian variation on the Good vs. Evil theme would have Jacob represent Ra, god of Good and light, making his Enemy Apep, the Egyptian deification of evil and “Eater of Souls,” who is often portrayed as a snake not unlike the Smoke Monster.

Just as with the Devil scenario, Apep (Smoke Monster) confronts characters and consumes their soul, and absorbs their experiences if he finds that the character can not be used to his own evil ends. Ecko, perhaps the most tested and therefore self-actualized character on the series, was therefore one of the first to be consumed. Ben on the other hand, was already evil, and Locke the perfect patsy, making them both perfect for Apep’s grand plan to defeat Jacob (Ra).

Notice that in this analogy the imagery is somewhat richer, with only slightly less emphasis on Good and Evil, but the difference between this scenario and the one above is only slight. It matters little in the end.

FREE WILL: THE DOMINANT THEME

The intriguing thing about great stories is that they are multi-layered. There is no doubt that Enemy represents destiny and Jacob free will on its most basic level.

It is argued in many philosophies and virtually all religions that it is only man's free will that breaks the instinctual brain stem function of selfishness, violence and corruption. It is what sets us apart from animals (who kill each other all the time) and gives us our divinity or virtuosity. Free will is our most precious and holy attribute. It allows us to rise out of the savage muck and become good or virtuous, not because it's our nature, but like the gods, because we choose.

Jacob mentions, implies, or encourages free will in every conversation in the Finale. He says to Jack, "We all need a little push." Earlier in the operating room his father gave him a push in the right direction as well. Unfortunately Jack took his father's guidance in a knee jerk reaction (he didn't exert his free will) to the life long negativity of his father. Often in life the hardest lessons are those that come from people we have a hard time listening to. When Jack learns to appreciate at least some of the lessons his father taught him, he will be well and on his way to find his own redemption. Until then, Jack, like many of us, is caught in the never ending cycle of fighting against the demons of his life stories rather than realizing his potential.

In this same way, all the characters in LOST are fighting their pasts instead of exercising their free will and becoming who they could be. We thought Locke was the furthest along. It appears in the Finale that he is back at square one again.

With Hurley, Jacob's admonition of free will is even more direct. He expressly gives him the option of not going to the island, and encourages him to think of himself as blessed, rather than how others see him (crazy).

Finally, I believe that free will (and personal redemption) is the dominant theme of the story because of the powerful last scene; Jacob's death. The most illuminating point of the scene is what Jacob doesn't do; he doesn't plead for his life, the most logical thing for anyone to do. At the impending moment of is death, he addresses Ben, telling him he has a choice. When Ben asks Jacob who he is, Jacob replies, "Who are you?" There is never any attempt to sway Ben, only encouragement to avoid manipulation and act for himself. This scene, more than any other, convinces us that the story of LOST centers around free will and redemption (which leads to the end of violence and corruption) between the two ancient adversaries, but also on a personal level for our survivors.

THE DEATH SCENE
Enemy has finally won the age old struggle by finding a loophole to kill Jacob. That is, until Jack and his group blow up the Swan. Does that act give Jacob a new chance at life, as well as for each of the Losties?

Notice that the premise that Faraday / Jack's group worked under (that blowing up the Swan would erase the last months and land the plane in LA) is certainly not necessarily true. This reflects real life when we try to do the right thing but we often don't know all the facts...

Perhaps the LOST group will wake up on the island in much the same manner that Ecko, Des, and Locke did during the explosion at the Swan in S3, when they were thrown clear of the terrible blast. Maybe they flash to another time. Maybe they will just land on the island in a storm again. But I doubt they are going to LA, don't you?