Friday, May 15, 2009

Jacob and Dark | The Struggle

Find the Season 5.16 The Incident pt. 1 here.
Fine the Season 5.17 The Incident pt. 2 here.

In a nutshell, here's what I think I saw in the S5 Finale.

THE TWO ADVERSARIES
Two immortal adversaries, call them Enemy and Jacob. And as a ship which looks like the Black Rock floats offshore, but definitely puts us in the 1800s, perhaps the most important conversation yet in the series then enjoins:

JACOB: I take it you're here 'cause of the ship.
ENEMY: I am. How did they find the Island?
JACOB: You'll have to ask 'em when they get here.
ENEMY: I don't have to ask. You brought them here. Still trying to prove me wrong, aren't you?
JACOB: You are wrong.
ENEMY: Am I? They come. They fight. They destroy. They corrupt. It always ends the same.
JACOB: It only ends once. Anything that happens before that is just progress.
ENEMY: Do you have any idea how badly I wanna kill you?
JACOB: Yes.
ENEMY: One of these days, sooner or later... I'm going to find a loophole, my friend.
JACOB: Well, when you do, I'll be right here.

Here is the first real glimpse at the secrets of LOST. Obviously this game between the two adversaries has been going on for a long, long time, even in the 1800s as dated by the ship. Enemy has grown weary of it because the ending is always the same; violence and corruption. The implication is that mankind is not worth saving. But the adversarial game is clearly a competition; Jacob is out to prove Enemy wrong; that mankind is better than that. All he has to do is prove it one time. For generations now, humans have failed.

The alternative endgame is that there is no relief from man's cycle of depravity. Either Jacob can admit it, and defeat, or Enemy can find a loophole, and kill him. It appears the loophole to kill Jacob is having someone else do it. Who better than the murderous, conniving, sociopath Ben. It's worth noting that it is not necessarily true that Enemy has always been intent on killing Jacob. It rather looks more likely that he is just horribly tired of the story that never ends, and is by now driven to kill Jacob to finally finish it.

RULES OF THE GAME
There are rules to the game they are playing. From the conversation, and later scenes, I believe they are as follows:
  1. Neither can directly kill each other.
  2. Neither can be direct actors on the island stage.
  3. Enemy influences the humans on the stage to bring about the violent end even he has no taste for anymore. Because he can not act directly, he uses dead bodies and perhaps smoke as substitute. It now becomes something more than interesting that the Others burn their dead bodies and send them out to sea. Enemy's side of the game does not prevent him from swaying humans. It was Enemy who was trapped in the cabin by ashes, but found a way to get out by coercing someone to break the ash barrier. Perhaps it was Jacob who trapped him there to limit his interference. It appears he has been using Christian and Alex as proxies, but for some time now has impersonated a dead Locke. Dead is dead, after all.
  4. Jacob does not act at all. His only role is to arrange people to come from the mainland. He chooses them. Beyond that, he makes no further interference. More on this later.
At least some of these rules are also used by humans on the island. Remember Ben telling Widmore that he had broke one of the rules; he had killed his daughter. Clearly we need to learn more about the Book of Laws.

WHAT IS THE DOMINANT THEME OF LOST?
The two adversaries embody two sides of the same coin in their struggle. What is it? While I suspect the LOST series is really a multi-layered combination of dichotomies, and good vs. evil is too simplistic, here are some possibilities:
  • Fate vs. Free will
  • Good vs. evil
  • Baseness vs. Virtue
  • Animal vs. Spiritual
  • Damned vs. Redemption
  • Nature vs. Nurture
All are essential and recurrent themes in religion and philosophy.

GOD vs. SATAN or GOOD vs. EVIL
Satan was God's right hand. The first conversation appears to be a bet about whether mankind is capable of governing on the island with virtue. Enemy doesn't think so. Jacob says they only have to do it once.

If indeed Jacob represents God, and the statue is Anubis, Guard of the Afterlife, then the island is Purgatory, and the humans there fighting for entry into either heaven or hell. It would also explain why no women can have children there.

It's interesting to note that the struggle to find virtue is also personified in the LOST crew as every main character struggles for redemption of their life stories. All are trying to overcome their pasts in their own way. All are growing and maturing towards it; especially the most spiritual Locke, who in his quest ironically opens himself to Enemy's manipulation and coercion, and dooms his life story to tragic, fatalistic repetition.

But the story is essentially about the O815, so we have reason to believe that at least one of them will be successful and suppress the killing and corruption. The explosion just gave them all a do over, arguably with their memories intact. Who will it be?

RA vs. APEP or GOOD vs. EVIL
An Egyptian variation on the Good vs. Evil theme would have Jacob represent Ra, god of Good and light, making his Enemy Apep, the Egyptian deification of evil and “Eater of Souls,” who is often portrayed as a snake not unlike the Smoke Monster.

Just as with the Devil scenario, Apep (Smoke Monster) confronts characters and consumes their soul, and absorbs their experiences if he finds that the character can not be used to his own evil ends. Ecko, perhaps the most tested and therefore self-actualized character on the series, was therefore one of the first to be consumed. Ben on the other hand, was already evil, and Locke the perfect patsy, making them both perfect for Apep’s grand plan to defeat Jacob (Ra).

Notice that in this analogy the imagery is somewhat richer, with only slightly less emphasis on Good and Evil, but the difference between this scenario and the one above is only slight. It matters little in the end.

FREE WILL: THE DOMINANT THEME

The intriguing thing about great stories is that they are multi-layered. There is no doubt that Enemy represents destiny and Jacob free will on its most basic level.

It is argued in many philosophies and virtually all religions that it is only man's free will that breaks the instinctual brain stem function of selfishness, violence and corruption. It is what sets us apart from animals (who kill each other all the time) and gives us our divinity or virtuosity. Free will is our most precious and holy attribute. It allows us to rise out of the savage muck and become good or virtuous, not because it's our nature, but like the gods, because we choose.

Jacob mentions, implies, or encourages free will in every conversation in the Finale. He says to Jack, "We all need a little push." Earlier in the operating room his father gave him a push in the right direction as well. Unfortunately Jack took his father's guidance in a knee jerk reaction (he didn't exert his free will) to the life long negativity of his father. Often in life the hardest lessons are those that come from people we have a hard time listening to. When Jack learns to appreciate at least some of the lessons his father taught him, he will be well and on his way to find his own redemption. Until then, Jack, like many of us, is caught in the never ending cycle of fighting against the demons of his life stories rather than realizing his potential.

In this same way, all the characters in LOST are fighting their pasts instead of exercising their free will and becoming who they could be. We thought Locke was the furthest along. It appears in the Finale that he is back at square one again.

With Hurley, Jacob's admonition of free will is even more direct. He expressly gives him the option of not going to the island, and encourages him to think of himself as blessed, rather than how others see him (crazy).

Finally, I believe that free will (and personal redemption) is the dominant theme of the story because of the powerful last scene; Jacob's death. The most illuminating point of the scene is what Jacob doesn't do; he doesn't plead for his life, the most logical thing for anyone to do. At the impending moment of is death, he addresses Ben, telling him he has a choice. When Ben asks Jacob who he is, Jacob replies, "Who are you?" There is never any attempt to sway Ben, only encouragement to avoid manipulation and act for himself. This scene, more than any other, convinces us that the story of LOST centers around free will and redemption (which leads to the end of violence and corruption) between the two ancient adversaries, but also on a personal level for our survivors.

THE DEATH SCENE
Enemy has finally won the age old struggle by finding a loophole to kill Jacob. That is, until Jack and his group blow up the Swan. Does that act give Jacob a new chance at life, as well as for each of the Losties?

Notice that the premise that Faraday / Jack's group worked under (that blowing up the Swan would erase the last months and land the plane in LA) is certainly not necessarily true. This reflects real life when we try to do the right thing but we often don't know all the facts...

Perhaps the LOST group will wake up on the island in much the same manner that Ecko, Des, and Locke did during the explosion at the Swan in S3, when they were thrown clear of the terrible blast. Maybe they flash to another time. Maybe they will just land on the island in a storm again. But I doubt they are going to LA, don't you?

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